Stories for a fresh World

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This number of shows that takes because their motivation the stories that form united states mythology: yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big city Horatio Algers. They are stories that have been glamourized by popular tradition, and which occur in iconic proportions. Yet they have been reasonably young, flexible stories, a maximum of 200 years of age. Dempsey and Millan flex them so that they mirror a various viewpoint. By imposing an ironic lesbian and feminist reading/retelling upon these tales, they illuminate our history and our current, and produce alternative archetypes that propose brand new “new globes. ”

The Quick Tale of minimal Lizzie Borden is really a piece that posits rage as a justifiable, certainly logical response that is emotional modern globe activities. There’s two elements for this work, a printed text that is fond of the viewers become read at their leisure, and a performance that examines a woman’s anger that is modern. The narrative that is written the storyline associated with the childhood of Victorian murderess, Lizzie Borden, who was simply accused of killing her moms and dads. The live performance tells a tale of present-day kleptomania, grooming, and the rush to war in contrast to the print work’s 19th century, poetic style. Within an irony-laden tirade, Dempsey explains why she steals women’s publications.

“This just isn’t a tool. It is not an axe. That is a hatchet. An inferior, scaled straight straight down, more feminine, less version that is effectual. Perhaps Not an instrument, an accessory! And add-ons create interest. ”

Duration: five minutes.

First performed: October 2001, Finding Feminisms meeting, Mentoring Artists for Women’s Art, Winnipeg, Manitoba

Printed text posted in Bedtime tales for the side of the World, Arbeiter Ring Press, 2012

Photos by William Eakin and Elaine Stocki

Other live pieces in the show are the Headless Woman while the Lesbian adore Story regarding the Lone Ranger and Tonto. Miss Gray’s Marvellous Truth device exists being an installation and recording on plastic.

Winnipeg Tarot Company

The Winnipeg Tarot Co. As well as its hope and enlightenment tiny tranny experts offered free tarot card readings throughout Winnipeg throughout the autumn of 2010. Well-known musicians from a number of procedures staffed the portable fortune-telling tent: Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and journalist), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (journalist and star). Readings had been obtainable in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior domiciles to shopping centers, the airport to your hockey arena, for five days, making use of Winnipeg’s effective psychic emanations. The device of these trade ended up being a totally redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, manufactured by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.

The performance started at Portage spot Mall on September 25, 2010 saturday. Even ahead of the tent had been put up, a two-hour line-up formed, including an octogenarian World War II war bride and her Canadian-born spouse, teens nevertheless awake type partying the night time prior to, a Latin American medical care worker on her behalf option to work, a businessman in a suit and connect, a greatly tattooed biker, plus an architecture pupil. As of this and also at all the other venues, audience/participants originated from all parts of society to unburden on their own and get questions concerning the way and meaning of the everyday lives. The closeness involving the designers while the individuals at those moments had been profound. Even though the musicians prefaced each session aided by the terms, they were listened to“ I cannot read the future”, people brought their hopes and fears, and.

Re Payment when it comes to fortune-telling solution ended up being just accepted in tales about Winnipeg. Residents could also go right to the internet site and also a card that is electronic and key in their Winnipeg stories. Over the span of the task almost 1000 tales had been gathered and soon after deposited into the Winnipeg Archives.

This Cultural Capitals task, commissioned because of the Winnipeg Arts Council, tapped in to the miracle and secret of our town, and developed an intersection that is meaningful music artists and residents to fairly share our provided futures.

To own your fortune read, hear tale or keep a tale, head to http: //winnipegtarotco.ca.

Duration: 5 months

Performed: and October 2010, throughout Winnipeg, Manitoba, in coffee shops, parks, libraries, cafes, etc september.

Photos by Lorri Millan and Leif Norman

Target Marketing

The ways that press has changed our relationship to language and activism is explored through thi first-person narrative into that the symbols of terrorism literally drop through the roof.

It’s estimated that over the following two hundreds of years, 40% for the world’s extant languages will no much longer be modern modes of idea or phrase. During the time that is same “dominant” languages are devolving in to the brevity of marketing journalism. Sentence length is shrinking, and descriptives have emerged as superfluous. With this specific de-languagification, principles as well as countries are increasingly being lost. These shows consider the irony for the known undeniable fact that, at the same time whenever we have actually the way to discussion and advocate locally, nationwide and globally, we losing ab muscles language with which we communicate.

“The following performance contains no nudity, physical physical physical violence or language that is coarse. No pets had been harmed within the development with this piece, with no meat shall prepare yourself or eaten on phase. Be forewarned that you will have no strobe lights, fireworks or pyrotechnics of every type or sort, with no gunshots is supposed to be fired. What you are actually going to see will bore kids, older people, and the ones of you in-between. Time will crawl by and you may curse the close buddy whom brought you right here. You are going to think about asking for the cash back, but that could need interaction that is one-on-one the performer then you might never ever move out of right here (laugh). No, tonight’s spectacle will in no real means be dazzling. In fact the dazzling is supposed to be studiously avoided, which means this won’t be most of a spectacle after all. ”

Duration: 20 moments

First performed: 2006, Studio XX, Montreal, Quebec october

Photos by William Eakin